Raymond v Raymond

The making of Usher's sixth studio album was inevitably affected by the end of his marriage and its aftershocks. ¨Papers,¨ the early buzz single for Raymond v. Raymond, bears the closest relation to the turbulence he experienced. He pours himself into that song more than any other on the se, and breakup lyrics don't get much more specific than ¨You don't think I know what's up, but sweetheart that's what ruined us¨ or ¨I done damn near lost my mama.¨ The song was awarded the top spot on the R&B/Hip-Hop charts. Many of the songs on the album have to be taken on their own, stripped of context; otherwise, determining what applies to Usher's real and fantasy lives can by problematic. The album's catchiest uptempo song, ¨Lil Freak,¨ featuring Nicki Minaj, effectively swipes the synthesizer line from ¨Living for the City¨- a classic containing Stevie Wonder's most angered social commentary - for the sake of Usher's lesbian tryst. Otherwise, the slow jams and the few moments when Usher sounds as if he's having actual fun win out. Two of the best happen to be collaborations with Jam and Lewis and the Avila Brothers. ¨Mars vs Venus,¨ a very slow jam, soars, while ¨Pro Lover¨ is a breezy, casual number filled with sweet dub accents.

Tracklist:

01. Monstar   
02. Hey Daddy feat. Plies (Daddy's Home)   
03. There Goes My Baby   
04. Lil Freak feat. Nicki Minaj   
05. She Don't Know feat. Ludacris   
06. Omg feat. Will I.Am   
07. Mars Vs. Venus   
08. Prolover   
09. Foolin' Around   
10. Papers   
11. So Many Girls   
12. Guilty feat. T.I.   
13. Okay   
14. Making Love (Into The Night)